1. artbma-pdp:

    During the latter nineteenth century many major publishers issued a small number of ‘proof’ impressions before publishing the regular edition. Proof impressions were struck before the title of the work was added along the lower margin and were printed on superior papers. They also contained a remarque, an added etched image, a pile of books in this case. Proof impressions were the only etchings to be hand signed by the etcher. via

    Gustave Mercier (French, 1858‑1898)

    After Walter William Ouless (English, 1848-1933)

    Published by Robert M. Lindsay (American, c. 1836‑1912)

    Charles Darwin, 1890

    Etching

    The Baltimore Museum of Art: Gift of Mrs. Harry B. Slack, Jr., BMA 1956.74

     
  2. printclubboston:

    John Baldessari

    Hegel’s Cellar Portfolio, 1986

    etching

    (Source: artsy.net)

     
  3. philamuseum:

    In this painting of the Parisian dance hall Moulin Rouge, Henri de Toulouse-Lautrec depicts a gangly male dancer in a top hat. This dancer, known as Valentine the Boneless, was so sinewy and agile that his legs appeared to be made of rubber when he danced.

    At the Moulin Rouge: The Dance,” 1890, by Henri de Toulouse-Lautrec

     
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  6. printeresting:

    Etsuko Fukaya, Japan, b. 1981, Untitled (38), 2013, Etching, ed. 30 / AP3 27.3 x 36.4 cm (via Ocula)

     
  7. artbma-pdp:

    The wood chopper gets taken to the woodshed…

    Edmond Hédouin (French, 1820‑1889)

    After Jean‑François Millet (French, 1814‑1875)

    Death and the Wood Chopper, c. 1880

    Etching

    The Baltimore Museum of Art: Garrett Collection, BMA 1946.112.2176

     
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  9. artbma-pdp:

    Rajon is one of many French artists for whom Rembrandt reached cult status in the late 19th century.

    Paul Adolphe Rajon (French, 1842‑1888)

    After Jean‑Léon Gérôme (French, 1824‑1904)

    Rembrandt in His Studio, c. 1869

    Etching

    The Baltimore Museum of Art: Garrett Collection, BMA 1946.112.4212

     
  10. tatecollectives:

    Colouring Book / Rookie x Tate

    A sartorial homage to Henri Matisse, inspired by The Cut-Outs exhibition at Tate Modern, Rookie created this fashion story. More HERE

    Images Rookie, Dress by Antoni and Alison, Styling by Verity Pemberton

    (via brwnpaperbag)

     
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  12. artbma-pdp:

    You know there is a damsel tied to railroad tracks somewhere.

    Stephen James Ferris (American, 1835‑1915)

    After Mariano Fortuny y Carbó (Spanish, 1838‑1874)

    Portrait of a Spaniard, 19th century

    Etching

    The Baltimore Museum of Art: Garrett Collection, BMA 1946.112.1662

     
  13. Roy Lichtenstein, Artist’s Studio - The Dance, 1974

    (Source: weepieschagall, via brwnpaperbag)

     
  14. artbma-pdp:


    This artist remains a bit of a mystery. If you can identify him/her, we’d love to hear from you.

    E.J. Biggs (English, dates unknown)

    Ridge Hill, 19th‑20th century

    Woodcut

    The Baltimore Museum of Art: Gift of Blanche Adler, BMA 1928.30.87

     
  15. indubio:

    amareamarildo:

    Dora Maar

    Reportage sur l’évolution de «Guernica» / Reportaje sobre la evolución del «Guernica»

    1937 (mayo-junio, París)

    (Source: suaveeslanoche, via yungjesuschrist666)